017: Basketball Reflections: Documenting the Game, Love, and Life Lessons

Walking back into a gym feels like stepping into a familiar hymn, one that hums through my bones, steady and sure. The rhythm of sneakers on hardwood, the echo of a whistle slicing through the airit all pulls me back. There was a time when this was the dream: standing on the baseline, capturing every heartbeat of the game, chasing that shot that could freeze time in a single frame. College courts, NBA lightsI wanted all of it.

But before I ever held a camera, I had hoop dreams of my own. I wasn’t just aiming to document the gameI wanted to live it. The goal was to hear my name echo through packed arenas, to feel the weight of the ball in my hands under the bright lights of the NBA. I wanted to be that player making game-winning shots, chasing championships, leaving it all on the floor. But dreams shift. Injuries, reality checks, and life itself have a way of rerouting your path. Mine didn’t pan out the way I imagined, and that truth hit hard.

But life has a way of teaching you that the loudest stories aren’t always found in the action

Back then, I didn’t understand that the story ran deeper than the final buzzer, hidden in the quiet moments between playsthe sweat tracing down a player’s temple the ice-cold focus in their eyes before a free throw the coach’s quiet heavy pause like a prayer wrapped in strategy and hope That kind of understanding only comes with experience and accessseeing beyond the surface and getting close enough to feel the pulse of it all.

Still, every time I walk into a gym, it feels like coming home. This game my game was the first gift my father placed in my hands. Or maybe it was the camera first, sometimes I wonder which came before the other. I’ve got more pictures of myself as a kid holding a camera than a basketball, but eventually, that ball found its way into my hands too. It wasn’t just leather and air it was legacy language and love wrapped into one Basketball taught me how to move through life: with discipline, focus, and fire. But with that love came bruises toodisappointments that cut deep, pressures that weighed heavy, lessons I had to unlearn just to breathe again.

Yet, the love remains. It runs deep, especially in the Black community. Basketball isn’t just a pastime it’s a way out, a way forward. For some of us, it wasn’t just about crossing up defenders it was about crossing over barriers. College wasn’t promised to everybody, but sometimes that orange ball carved a lane where there wasn’t one before. Generations before me didn’t always see other exits, professional sports felt like the only unlocked door because exposure to different paths was scarce. Opportunities beyond the court lived in shadows, out of reach for many. Every dribble , not just personal dreams but generational hope, a chance to rewrite a family’s future. Each shot each whistle each cheer carried the weight of survival legacy and the belief that maybe just maybe this game could be more than just a game It was a blueprint, a hustle, and a light cutting through the dark, stitched into every net and painted on every hardwood floor.

Now, when I document players and coaches, it’s not about the highlight reelit’s about the heartbeat of the game. It’s about showing what basketball means to us-how it molds character, builds community, and holds space for both joy and pain. I want every image to speak to that truth.

So I’ll keep returning eyes open heart ready Because this game? It’s not just about points on a scoreboard. It’s poetry written in sweat and sacrifice where every dribble is a heartbeat and every shot carries the weight of a dream that refuses to die This game teaches you how to rise after every fall, how to embrace the grind, how to lose with grace and win with humility. It is the language of passion pain and perseverance the kind of love that hurts heals and humbles you all at once This game? It’s life itself raw, beautiful, and brutally honest. And every time I step back into that gym, I’m reminded that it deserves to be seen, felt, and honored for all it truly is.

016: From Hunting to Gathering: A Shift in My Photography

From Hunting to Gathering: A Shift in My Photography

I watched an interview with Alex Soth recently, and something he said hit different. He talked about how, for years, he approached photography like a hunter, always searching, chasing, taking. But over time, he no longer wanted to do that. He wanted to move differently, to let the images come to him instead of stalking them.

That stuck with me because I feel that shift happening in my own work.

I still move through the streets with that same energy, camera in hand, scanning, reacting, documenting. There’s a rhythm to it, a rush. Seeing something unfold and responding in the moment, that instinct is still in me. But I’ve started to question it, to rethink what it means to always be in pursuit. What happens when I slow down, when I stop chasing every frame? What do I notice when I let things come to me instead?

Long-term documentary and portrait work have been calling me. Not just the act of making images, but the time spent with my subjects, the conversations, the silences, the moments in between. I don’t want to just pass through people’s lives, snapping a frame and moving on. I want to sit with them, listen, understand. I want to document people over time, let the story unfold naturally, allow trust to build. I want my images to feel like they were offered to me, not taken.

My photography isn’t just about making trendy images, it’s about building something deeper. I want to document people in a way that honors them, that respects their space and their story. I don’t want my work to feel like a collection of moments I grabbed before they disappeared. I want it to feel like time was given, like the image existed long before I pressed the shutter, and I was just fortunate enough to be there.

So, I’m moving differently now. Less hunting, more gathering. Less extraction, more exchange. That’s why I’m drawn to longer projects, why portrait work has been pulling me in. I want my images to feel like a conversation, not just me taking, but something being shared.

That doesn’t mean I’m done with the streets. That rhythm is in me. But I’m learning to let go of the chase, to let the images find me instead of the other way around.

And maybe that’s the real shift, not in how I photograph, but in how I see.

frame 36 of 36.