010: Is My Photography Style Changing?

Is My Photography Style Changing?

Lately, I’ve been asking myself a big question: Where am I going with my photography? For years, I’ve been documenting life in Atlanta through what most people would call traditional street photography. My Leica M5 and a 28mm lens have been my go-to setup. It’s a classic combo that has helped me create some of my favorite images. But now I’m wondering, is this even me? Or has this just become a lane I stayed in because it’s familiar?

Street photography, the way I’ve been doing it, is fast. It’s about catching moments in real time, quick, and in your face. And while I still love it, lately I’ve felt this pull toward something slower. What if my photography leaned more into storytelling and connection? What if I let moments come to me instead of chasing them, focusing more on timing and intention? Honestly, I’m not sure yet, but I’m trying to figure it out.

Through all this reflection, my Leica M5 has been right there with me. I love that camera. The process, the feel, the way it makes me slow down, it’s all intentional. But recently, I’ve been having some issues.

When I develop my rolls, I’ve noticed some frames are severely underexposed. On others, the right side of the frame is darker than the rest. It’s not every frame, but it’s happening enough for me to know something’s off. I dropped the bottom plate at one point. It locks, but it’s loose, and I can’t help but wonder if that’s the issue.

Here’s the thing, I can’t get it CLA’d right now, and I don’t even know where I’d send it. To be real, I’m not even sure if it’s worth it. If I’m going to put that kind of money into it, maybe I should just save for a newer Leica.

In the meantime, I’ve been using my Canon EOS-1V more, and I’ve been enjoying it. It’s a different vibe. It’s not as small or quiet as the M5, but there’s something about it that feels fresh. The autofocus, the speed, the versatility, it all fits where my head is at right now.

I’m starting to think this change in cameras might also reflect a change in my style. Do I want to stay in the traditional street photography lane, working fast with the 28mm? Or is it time to slow down and lean into something else? Something that’s more about connection and storytelling, less about the hustle of the streets?

What’s Next?

I don’t have all the answers yet, but I’m open to figuring it out. Right now, I’m letting myself explore. Maybe that means slowing down. Maybe it means pivoting and trying something new. Either way, I’m not letting the process stress me.

If you’ve ever questioned your direction as an artist, or had a camera issue that made you rethink your process, let me know. I’d love to hear how you worked through it.

I’ll keep y’all updated as I sort this out. I’ll also share some images showing what’s going on with the M5 so you can see the issues for yourself.

Stay tuned.

009: Notes From Documenting Atlanta on Film for 4 Days During Christmas

What I Learned Documenting Atlanta on Film for 4 Days

Four days, ten rolls of Kodak Tri-X 400, and a whole lot of lessons. This past week, I set out to document Atlanta on film, and let me tell you, not every frame was a winner. Honestly, I’m not even sure how many of the shots will end up being great—or even up to my standards. But that’s not the point. It’s about the reps, getting outside, and documenting the city I love. Here’s what the experience taught me about myself, my process, and Atlanta.

1. The City Always Has a Story to Tell

Atlanta is never boring. On Day 1, I hit the streets downtown the day after Christmas, and it was alive with energy. Tourists were snapping pics, locals were rushing somewhere, and the Olympic rings area felt like the heartbeat of a big city during the holidays. The challenge wasn’t finding something to photograph—it was deciding what to focus on. Atlanta always has something to say if you’re paying attention.

2. Slowing Down Can Be Just as Powerful

Day 2 was slower. I spent most of the day with my wife, and we made a stop at the High Museum. I barely picked up the camera, making just one frame before we went inside. But it didn’t feel like a wasted day. Seeing exhibitions by Kelli Connell, Gordon Parks, and Jamel Shabazz reminded me that photography isn’t just about the images you make—it’s also about the inspiration you soak in along the way. Sometimes, slowing down can give you exactly what you need.

3. Community Makes the Work Richer

Day 3 was all about the homies. Dre, Brandon, and I hit downtown, and it was like a mini workshop. We traded ideas, pushed each other to keep going, and got those reps in. Even if some of the images don’t turn out, the experience of being out there with friends made it worth it. Photography doesn’t always have to be a solo thing—community makes the work richer.

4. Film Developing Is the Ultimate Reset

By Day 4, I didn’t make many new photos, but I spent the evening developing film at home. That’s where everything comes full circle for me. It’s like pressing a reset button. I don’t know what’s on those rolls yet, but the process of developing, seeing what worked (and what didn’t), and holding those negatives in my hand reminds me why I love this craft. It’s humbling and exciting all at once.

5. Film Forces You to Be Intentional

Shooting film means every frame costs you; time, money, effort. You can’t just spray and pray like with digital. And even though I shot ten rolls this week, I know most of those photos won’t make the cut. That’s fine. It’s about the process, the reps, and showing up for the work. Film forces you to think, to see, and to commit. And that’s what makes it special.

Check out my full blog post about 4 Days of Film Photography in Atlanta.

This four-day challenge wasn’t about perfection. It was about getting out there, staying consistent, and reconnecting with the city. Every frame might not be a masterpiece, but every frame taught me something. Atlanta has a way of reminding you why you fell in love with photography in the first place. For me, it’s about the journey, the reps, and always keeping an eye on what’s next. And that’s something I’ll never stop chasing.